Rabindra Sangeet Debabrata Biswas
Bahar music started working in 2013 to manufacture and market the high standard Audio compact discs of manily Tagore songs rendered by the legenday rabindra sangeet singer Debabrata Biswas. Over twenty audio cds and one dvd with documentary film are copy righted by debabrata biswas smaran committee formed in the centeary year, 2010-2011 of debarata biswas.
The year when the only website on the singer, was hosted. In fact bahar music is the publishing, marketing wing of debabrata biswas smaran committee.
Ami bratya ami montrohin, smarak grantha on debabrata biswas is available in amazon.in. All audio cds are also in the process of linked up with all popular marketing sites as well. Bahar music site gives the viewer, commoissers of rabindra sangeet, admirers of georgeda all details informations on the published cds, book, dvd, various video uploads in youtube, discography of the singer etc.
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(February 2008) Debabrata Biswas Native name দেবব্রত বিশ্বাস Born ( 1911-08-22)22 August 1911, Died 18 August 1980 ( 1980-08-18) (aged 68), West Bengal, India Residence 174-E Rashbehari Avenue, Kolkata, West Bengal, India Nationality Indian Other names George-da Occupation vocalist Years active 1940–71 Known for singer Website Debabrata Biswas (also known as George Biswas and George- da; 22 August 1911 – 18 August 1980), was an Indian singer. Contents. Early life Biswas was born in 1911 in and then later came to of of British colonial undivided Bengal province of India. It was the time when was visiting India for the, so he was nicknamed George.
He was popularly called George Biswas and George Da. Career Biswas' music, though not always technically pristine, was notable for its exceptional depth of emotional expression verging on the dramatic. His early gramophone recordings of Tagore songs brought out in the early 1940s demonstrate soulful full-throated expression of melody with a strict adherence to the rules and norms of tradition, written and unwritten, which he felt obliged to break in the early 1960s – considered by most to be his heyday up to the year 1969. His renderings in this period show amazing power of voice and modulation, compounded with an overt emotional expression of a kind hitherto unpractised by his contemporaries and even himself.
His voice at this period ranged at ease within the three octaves and with varied tempos and rhythms and showed a greater variety of emotional expression from the thunderous and rumbling to the soft and mellow. Somewhat audacious and overpowering in his personal feelings and mores, his enunciation of the words of over-used and hackneyed Tagore lyrics extracted new meanings and freshness from the compositions. Some of his renditions that go deep into the heart of Bengalis include Akash bhora surjo tara, Purano sei diner kotha, E monihar amay nahi saje, Klanti amar khoma koro probhu, Je ratey mor duarguli, Tomar kache ebor magi, Chokher jole laglo joar, Swapne amar mone holo, among others.
Biswas is the only singer who sang Rabindra Sangeet in Sanskrit, English, German, French, and Russian. He got trained at Ramakrishna Mission Institute of Culture, Kolkata for learning rudiments of foreign languages. Filmmaker took help of Biswas for song selection & play back of Tagore songs. Those Tagore songs used in the movies became extremely popular among the masses. Debabrata Biswas was actively engaged with IPTA group for a long period.
He sang a few songs set to music by, Jyotirindra Moitra and recorded songs during the liberation movement of Bangladesh. Himself was the trainer when Debabrata recorded Songs by Najrul. Conflict Authoritarian eyebrows started to be raised from 1964 onwards with the liberties he started taking by challenging the published tune-notations, traditional tempo, beat and rhythms which people were accustomed to associating with Tagore lyrics, as well as with his inclination towards the use of western musical instruments for the purposes of accompaniment and interlude – an obsession that remained with him till his death. He challenged the sensibilities of Tagore song listeners with the use of the Spanish guitar, the saxophone,the, the piano and the cello along with the, the, the and the violin; and all this in the name of 'interpretation' and 'freedom of expression'. His popularity swelled beyond bounds with the masses, young and old – and alike for, despite these excesses, the power and intrinsic purity of style and spirit of his renditions were unparalleled. In the later part of the 1960s, Debabrata was seriously challenged by the authorities over his audacious style and quite a number of his records were prohibited from commercial production for reasons attributed to wrong spirit, wrong tempo and other melodic excesses not regarded as harmonious to the purity of Tagore compositions. Although initially he did brace himself to meet the challenge, he retreated later and on his own volition stopped all record production.
As further controversy fuelled, his public live performances continued with an ever increasing demand but with age (now he was 60) and a declining voice and his lifelong asthma affliction, he withdrew from public appearance, venting his anguish and frustrations in his autobiographical reflections: Bratyo Janer Rudhha Sangit (or The Stifled Music of an Untouchable), published in 1979, a year before his death on 18 August 1980. Personal life A bachelor, a teetotaller, an excellent cook, a visitor to the Royal Calcutta Turf Club, a traditionalist at heart yet posing as a bohemian in a tongue-in-cheek style, and by any standards an eccentric, he lived a simple, modest and spartan life at his rented flat in South Calcutta, retiring in 1971 from the where he held a clerical position throughout his tenure; this, despite his being a post-graduate in economics from the. A confirmed communist throughout his life, he held his party membership with the till the mid-1950s. However, he was hurt at the fact that a conflict had arisen among the core groups of the Communist Party itself. Hence, when was formed, he was in a confused state.
Songs Of Debabrata Biswas
However, he remained in touch with the communist party till his death. In one of his memoirs he has said: 'When the party got divided into two sections, I was confused, because I was attached to the members of both, Communist Party of India or CPI, as well as the newly formed Communist Party of India (Marxist).
So, I decided to remain away from active politics. However, I must confess that I have been lucky to get the true love of all the members of both the wings of the communist party all through my life.' Apart from Rabindrasangeet, he is known to have held the masses spellbound with his booming and baritone voice singing Ganasangit or Peoples' Songs in party gatherings, meetings and plenary sessions up to the mid-1950s. He remains one of the towering personalities of the peak era of Indian People Theatre Association (IPTA) as a cultural delegate of which he visited China twice in the early 1950s with other great cultural luminaries from India.
He recorded his experiences with China in a well-written but somewhat simplistic and naive book titled Antaranga Chin or China of My Heart. A broad-hearted man of even to the point of self-mockery, buffoonery and feigned frivolity, he was fond of sketching and often gave drawings along with autographs. One such signature features himself praying to Tagore and another showing Tagore hitting a sixer with a. Immensely popular as he was, he had shunned the press and the media all his life, not even allowing his own photographs or career history on blurbs or record covers.
Debabrata Biswas Download
He lent his voice to a number of films and after his death was the subject of a documentary film by his name, based on archival footage and interviews. To this day, he remains the most popular exponent of the art of Rabindrasangeet, a model of orthodoxy when orthodox and an icon of protest against establishment, organized media and cultural dictatorship when breaking away from the orthodox.
Debabrata Biswas Rabindra Sangeet
Even after 30 years from his death, his records remain in supreme demand. References.
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